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21. Evelyn 1952, p. 20. The general appearance of the long-lost Koningshuis (ICing's Palace) at Rhenen, designed by Bartholomeus van Bassen, is known from two drawings by Pieter Saenredam: see Schwartz and Bok 1990, pp. 192-95, figs. 203, 205, and p. 271, nos. 104, 105. 22. Evelyn 1952, p. 19 (entry for July 29, 1641). The diarist apparently refers to he distance from Leiden to Utrecht, which is about the same as that from Delft to Utrecht.  23. Ibid., pp. 29-30 (entry for September r, 1641). In The Hague 1997-98a, p. 42, Van der Ploeg and Vermeeren mention Evelyn's visit but give the wrong date (1640) and overlook the attribution to Van Couwenbergh. On Honselaarsdijk, see also Morren, Meischke, and Van der Wyck 1990 and The Hague 1997-98b, pp. 111-16. 24. Snoep 1969, p. 287, quoting from the inventory compiled by the painter Mattheus Verheyden in 1758 (published in Slothouwer 1945, pp. 278-88). As Snoep demonstrates by referring to an inventory of 1707 and origin

11. See Liedtke 1991b, pp. 234-37. 12. Evelyn 1952, pp. 21-22. By "drolleries;' the diarist meant amusing genre scenes. His information that "it is an ordinary thing to find a common farmer lay out two or three thousand pounds" for paintings and that "their houses are full of them" is rejected in Montias 1990, pp. 361-62. See also Montias 1996, pp. 17, 21, and North 1997, pp. 46-47. 13. Evelyn 1952, pp. 33-35 (entries for October 4 and 5, 1641). 14. On Duarte's inventory of 1682, see Dogaer 1971 and Samuel 1976. Duarte died a bachelor and left most of his property to his niece Constancia Duarte and her husband, Manuel Levy, an Amsterdam jeweler. Most of the collection was sold off during the 1690s. 15. See Blankert 1978, pp. 61, 153 (doc. no. 6o ); Montias 1989, p. 257; and Washington, The Hague 1995-96, pp. 51, 54, 198, 202. The painting by Vermeer was no longer in Duarte's possession at his death, nine years later. In addition to